Carrie Marill

B. 1976
Lives & works in San José del Cabo - Baja, Mexico.

EDUCATION
2004 - Master of Fine Art, Painting and Drawing, Cornell University, Ithaca, NY.
2002 - Bachelor of Art, Painting, San Francisco State University, San Francisco, CA

ABOUT
Carrie Marill draws inspiration from a vast body of research - from folk art quilts and Persian miniatures to architecture and industrial design.

Born in San Francisco, CA, Marill graduated from San Francisco State University in 2002 with a BA in Painting and received an MFA in Painting from Cornell University in 2004. In addition to displaying her work at galleries and institutions internationally, Marill’s practice includes developing large-scale outdoor murals for public and private clients.

Her artwork has been exhibited throughout the United States and published in New American Paintings, Wired Magazine, Southwest Art, The New Times, The Wall Street Journal, Modern Painters, LA Weekly, and the LA Times. Her work appears in the collections of Todd Oldham, Missoni, Disney, Tiffany’s, and the Hallmark Collection, among many other notable collectors.

ARTIST STATEMENT

My paintings investigate the dialogue between Modern art and the traditions of craft and folk practice, drawing inspiration from sources as diverse as Islamic design, Japanese scroll paintings, and American quilt patterns.

I weave together textile motifs and quilt geometry with the clean lines of architecture, the organic rhythms of nature, and the discipline of abstraction. In so doing, I question Modernism’s dismissal of ornament, instead embracing the sensory pleasures of color, pattern, and form.

Playful yet contemplative, my work probes the triumphs and shortcomings of recent art history in search of new possibilities and meanings.

Carrie Marill - Interview on NPR

Upcoming Shows

The World Is Too Much With Us

Lisa Sette Gallery

Exhibition Dates:
October 17 – December 30, 2026

Opening Reception with artists:
Saturday, October 17, 2026
1:00 - 3:00pm

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers…

In the early years of the Industrial Revolution, Wordsworth’s 1802 sonnet laments humanity’s sudden turn toward novel technologies and meaningless commerce, a shift of human attention away from the unknowable systems and fierce beauty of the natural world. As a contemporary response, The World Is Too Much With Us at Lisa Sette Gallery features new works by Binh Danh, Ala Ebtekar, Timothy Horn, Alan Bur Johnson, Mayme Kratz, David Kroll, Carrie Marill, Marie Navarre, Beverly Penn, and others; whose works examine the parallel changes taking place in our own era.

Lisa Sette Gallery’s timely and stunning collection of contemporary nature-inspired works recalls Wordsworth’s message that it is to our benefit to remain intimately connected to the primordial forces that shaped us, the “Sea that bares her bosom to the moon/The winds that will be howling at all hours.” Centuries removed, the sonnet’s message remains urgent and clarifying, and the artists of The World Is Too Much With Us express it through a variety of conceptual and material modes.

Selected CV

PRESS

UC San Diego Health Commission, August 2025

Diversity in the Desert Exhibition at Phoenix Sky Harbor International Airport Museum, August 2023

Luxe Magazine, “Sense of Craft”, Maile Pingel, October 5, 2022

Shout out SoCal, Local Stories “Meet Carrie Marill, Artist”, September 27, 2022

Feminisms, A Partnership with 516 ARTS and the Wheelwright Museum, September 2020

AZ Central, “How Phoenix Artist Carrie Marill Found the Courage to Face Her Fragility” by Kerry Lengel, January 7, 2020

Daily Independent “Lisa Sette Gallery to host Carrie Marill work”, January 6, 2020

Java Magazine, “Carrie Marill, Protected Vulnerability at Lisa Sette” by Grant Vetter, January 2020

Phoenix New Times, Best of Phoenix, Megalopolitan Life, 2020 “Best Window Art, Carrie Marill”

ArtLtd. Magazine, “Carrie Marill: Sculptural Paintings at Conduit Gallery” by John Zotos, November 29, 2016

New American Paintings, “West #126”, October 2016

“Carrie Marill at Conduit Gallery” by Todd Camplin October 8, 2016

Grantvetter.info, Art Reviews “Abstract Reverberations: A Review of Carrie Marill’s New Work” by Dr. Grant Vetter, July 27, 2016

Phoenix New Times, “Carrie Marill Leaps Forward with Smart, Playful Show at Lisa Sette Gallery” by Deborah H. Susman, May 4, 2016

“Daily Serving: Carrie Marill: Domesticated at Lisa Sette Gallery” by Jennifer McCabe Morales

Phoenix New Times, “Domesticated at Lisa Sette Gallery is Unsettling in the Best Way” by Katrina Montgomery, May 1, 2014

New American Paintings, “West #96”, October 201

LA Times, “Busy fingers, quirky notions” by Leah Ollman, August 10, 2007

Suicide Girls, online interview, July 25, 2007

New American Paintings, “West #66”, October 2006

LA Weekly, “Pictures from the Unibrow Revolution or How Outlaw Art Went Mainstream”, by Doug Harvey, October 28, 2005

New American Paintings #126, #96, #66